Damien Cooper works internationally across theatre, opera and dance. Damien’s dance credits for Sydney Dance company include; AB Instra, Impermanence, Cinco, Ocho, Grand, Air and Other Invisible Forces and Orb.
Other dance credits include; State (Western Australian Ballet), Of Earth and Sky (Bangarra), The Narrative of Nothing, Firebird and Swan Lake (Australian Ballet), Giselle (Universal Ballet), Birdbrain, Supernature, Habitus and Be Yourself (Australian Dance Theatre), The Frock (Ten days on the Island Festival), Affinity (Tas Dance), Mortal Engine (Chunky Move) and Grey Rhino (Performing Lines).
Other theatre credits include Counting & Cracking (Edinburgh International Festival/Belvoir), Mark Colvin’s Kidney, The Great Fire, Radiance, The Glass Menagerie, Coranderrk, Miss Julie, Stories I Want to Tell You in Person, Cat on a Hot Tin Roof, Peter Pan, Private Lives, Conversation Piece, Strange Interlude, Summer of the Seventeenth Doll, Neighbourhood Watch, The Seagull, Gethsemane, Keating!, Toy Symphony, Peribanez, Stuff Happens, The Chairs, The Spook, In Our Name, The Underpants and The Ham Funeral (Belvoir); Disgraced, Orlando, Arcadia, A Midsummer Night’s Dream, The Golden Age, Suddenly Last Summer, The Women of Troy, The Lost Echo, Riflemind and Tot Mom (Sydney Theatre Company); Macbeth and The Tempest (Bell Shakespeare); The Ring Cycle, Der Ring des Nibelungen, Aida and Cosi Fan Tutte (Opera Australia); A Midsummer Night’s Dream (Houston Grand Opera, Canadian Opera, Lyric Opera Chicago); and The Magic Flute (Lyric Opera Chicago).
For lighting design, Damien has won three Sydney Theatre Awards, three Green Room Awards, and two Australian Production Design Guild Awards.