Performances

Sid’s Waltzing Masquerade

March 27 - April 6
Somos
Neilson Studio, Sydney Dance Company
October 22 - November 1
Continuum
Roslyn Packer Theatre, Walsh Bay
December 3 - December 13
New Breed
Carriageworks, Eveleigh

Repertoire Archive

2024

Love Lock
Choreography / Melanie Lane
Inspired by the power of love stories, Melanie Lane’s bold new work Love Lock deconstructs love songs to create a folk dance that celebrates the fantasies and realities of love.
Duration: 25 minutes
momenta – Contemporary Dance Work
Choreography / Rafael Bonachela
A journey into the poetry and physicality of human bonds.
Duration: 75 minutes

2023

The Shell, A Ghost, The Host & The Lyrebird
Choreography / Marina Mascarell
This piece poses many questions: the body's meaning and its capacity to transform; the relationship with technology, and the connection with nature.
Duration: 26 minutes
I Am-Ness
Choreography / Rafael Bonachela
I Am-ness calls for the convergence of the moving body and creative mind, charting a world in flux where simplicity dominates, and expectations are subverted.
Duration: 15 minutes
Somos
Choreography / Rafael Bonachela
Meaning “we are” in Spanish, Somos features a cascade of intimate solos, duets and trios with a distinct Spanish flavour.
Duration: 50 minutes

2022

Summer
Choreography / Rafael Bonachela
An uplifting new work from Rafael Bonachela, capturing the lightness and positivity of new beginnings. With a score by Australian composer Kate Moore, recorded by the Australian String Quartet and striking costumes by the masters of colour Romance Was Born, Summer will have your spirits soaring.
Duration: 16 minutes
The Universe is Here
Choreography / Stephanie Lake
Fusing movement and music, The Universe is Here brings blistering light to the stage and a fizzing glimpse of a haunted dreamscape. Poetic, fresh and forceful, Stephanie Lake's work is intricate and dynamic dance that hits you in the solar plexus.
Duration: 35 minutes

2021

Impermanence
Choreography / Rafael Bonachela
A visceral and thrilling exploration of the juxtaposition of beauty and devastation, this full-length work features a new score full of emotional power from Grammy Award-winning composer Bryce Dessner performed in association with the Australian String Quartet.
Duration: 65 minutes

2020

Cuatro
Choreography / Rafael Bonachela
Four dancers. Four musicians. Four Films.
Duration: 14 minutes

2019

Us 50
Choreography / Gideon Obarzanek
Us 50 is a grand-scale work by Gideon Obarzanek featuring 50 performers made up of past dancers that have graced our stage, current Company dancers, and members of our community.
Duration: 40 minutes
Neon Aether
Choreography / Gabrielle Nankivell
Gabrielle Nankivell’s premiere, Neon Aether, is a theatrical adventure into the infinite unknown. Inspired by science fiction and outer space, audiences will be transported into a vivid, ethereal world beyond the clouds.
Duration: 25 minutes
Cinco
Choreography / Rafael Bonachela
Be moved by a “dazzling technical display of flexibility” (★★★★, Sydney Morning Herald) in the world premiere of Rafael Bonachela’s Cinco. Watch “elastic dynamic dancing” (The Daily Telegraph) from our award-winning dancers, in delicate costumes by revered fashion designer Bianca Spender, set to Alberto Ginastera’s soaring String Quartet No.2.
Duration: 26 minutes

2018

ab [intra] – Contemporary Dance Work
Choreography / Rafael Bonachela
ab [intra],​ meaning ‘from within’ in Latin is ‘an exploration of our primal instincts, our impulses and our visceral responses’, says choreographer Rafael Bonachela. From tenderness to turmoil, ​ab [intra]​ is a journey of intense human existence that will command your attention.
Duration: 70 minutes
Forever & Ever
Choreography / Antony Hamilton
Set to a sonically stimulating score by The Presets’ Julian Hamilton, Forever & Ever fuses together a killer mix of dance, techno, high fashion and vivid lighting to hypnotic effect.
Duration: 36 minutes

2017

Ocho
Choreography / Rafael Bonachela
Explosive and powerful, Ocho, is "sexy, athletic choreography…" (Time Out Sydney), showcasing the dancers' virtuosity. Fusing a brutalist industrial dreamscape with a surging electronic score by Nick Wales that features haunting vocals by Aboriginal singer ​Rrawun Maymuru​ of the Mangalili clan, ​Ocho explores​ the infinite connections that exist between us all.
Duration: 40 minutes
Full Moon
Choreography / Cheng Tsung-lung
Cheng Tsung-lung's Full Moon harnesses the power of the moon and the mythology and poetry of mankind to thrilling effect.
Duration: 38 minutes
WOOF
Choreography / Melanie Lane
WOOF​ generates variations of collective actions that speak from matters of the heart. In an imagined physical future, stealing from classical dances, romantic paintings and pop culture, a re-invention of community takes place. In dialogue with Clark’s bold musical score, ​WOOF​ relentlessly forges a duality of instability and empowerment, harnessing the fantasy of a post-human collective spirit.
Duration: 20 minutes

2016

Lux Tenebris
Choreography / Rafael Bonachela
Lux Tenebris​ explores light and darkness with fiercely physical movement and deep, electronic beats by composer Nick Wales.
Duration: 40 minutes

2015

Frame of Mind
Choreography / Rafael Bonachela
Frame of Mind features a dramatic contemporary-classical soundtrack by Bryce Dessner (from American hit rock band The National), recorded by San Francisco’s virtuosic Kronos Quartet. ​Frame of Mind w​on four Helpmann Awards in 2015 – Best Choreography, Best Dance Work, Best Male Dancer and Best Female Dancer – in its critically acclaimed premiere season.
Duration: 35 minutes

2014

Wildebeest
Choreography / Gabrielle Nankivell
Gabrielle Nankivell’s eloquent creation, Wildebeest, showcases the power of dancers as individuals and strength en masse. Moody and animalistic, it’s backed by a stormy and industrial score by Luke Smiles.
Duration: 30 minutes

2010

6 Breaths
Choreography / Rafael Bonachela
Since the 2010 premiere of Rafael Bonachela’s award-winning 6 Breaths the work has toured to New York, London, Barcelona, the Venice Biennale in Italy and the prestigious Movimentos Festival in Germany. A symphony of dance, music by Italian composer Ezio Bosso and costume design by Josh Goot, this emotive work will take your breath away.
Duration: 40 minutes

Overview

Sid’s Waltzing Masquerade was created for Sydney Dance Company by Canadian born guest choreographer Aszure Barton in 2008. The world premiere of Sid’s, Barton’s Australian choreographic debut, took place at Carriageworks, Sydney, on 8 October 2008.

Described by the New York dance fraternity as perhaps the most innovative choreographer of her generation, Aszure Barton’s work has attracted the patronage of dancing great Mikhail Baryshnikov, resulting in her Artist in Residence status at the Baryshnikov Arts Centre and choreographic commissions from his touring company, Hell’s Kitchen Dance.

In program notes, Barton described Sid’s Waltzing Masquerade as ‘a result of the impact that the dancers, collaborators and the country’ made on her during the six weeks she spent in Australia creating the work. ‘I am fascinated with the history, inner life and eccentricities of the artists. My goal was to create a world based on them, as individuals and as a family.’

The creative team for Sid’s included Barton’s collaborative assistant Ian Robinson, who also danced in the premiere season, set designer Gerard Manion, costume designer Michelle Jank, lighting designer Trudy Dalgleish and sound designer George Gorga. Barton’s musical arrangement for the work incorporated an eclectic mix that ranges from Beethoven to Rolf Harris and includes a spoken and musical rendition of Waltzing Matilda.

Performance History

Carriageworks, Sydney
8-25 October, 2008

QPAC, Brisbane
5-15 November, 2008

Newcastle Civic Theatre
21-22 August, 2009

Playhouse, Canberra Theatre Centre 
2-5 September, 2009

Creatives

Choreography & Direction
Aszure Barton

Collaborative Assistant
Ian Robinson

Set Design
Gerard Manion

Costume Design
Michelle Jank

Lighting Design
Trudy Dalgleish

Musical Arrangement
Aszure Barton

Sound Design
George Gorga

Cast
Bradley Chatfield, Chylie Cooper, Emmie Dillon, Connor Dowling, Annabel Knight, Johanna Lee, Teagan Lowe, Reed Luplau, Rani Luther, Veronica Mahon, Ian Robinson, Simon Turner, Kalman Warhaft, Chen Wen, Jason Wilcock, Angus Woodyard

Media

“As one would expect from a company of the stature of SDC the piece is strong and intriguing, flows beautifully and is, quite simply breathtaking.” – ABC Brisbane 

“Barton is clearly brilliant.” – San Francisco Chronicle

“I thought that the audience was going to explode from their seats. Aszure Barton where have you been? The art of choreography needs you.” – Village Voice

“Aszure Barton’s work is something else entirely: a rare instance of dance that feels as if it were plucked straight from the choreographer’s extremely specific imagination and set, full-grown, onstage.” – The New York Times

“Barton creates moments of genuine emotional resonance. To say that she is worth watching would be something of an understatement.” – VoiceofDance.com

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Overview

Sid’s Waltzing Masquerade was created for Sydney Dance Company by Canadian born guest choreographer Aszure Barton in 2008. The world premiere of Sid’s, Barton’s Australian choreographic debut, took place at Carriageworks, Sydney, on 8 October 2008.

Described by the New York dance fraternity as perhaps the most innovative choreographer of her generation, Aszure Barton’s work has attracted the patronage of dancing great Mikhail Baryshnikov, resulting in her Artist in Residence status at the Baryshnikov Arts Centre and choreographic commissions from his touring company, Hell’s Kitchen Dance.

In program notes, Barton described Sid’s Waltzing Masquerade as ‘a result of the impact that the dancers, collaborators and the country’ made on her during the six weeks she spent in Australia creating the work. ‘I am fascinated with the history, inner life and eccentricities of the artists. My goal was to create a world based on them, as individuals and as a family.’

The creative team for Sid’s included Barton’s collaborative assistant Ian Robinson, who also danced in the premiere season, set designer Gerard Manion, costume designer Michelle Jank, lighting designer Trudy Dalgleish and sound designer George Gorga. Barton’s musical arrangement for the work incorporated an eclectic mix that ranges from Beethoven to Rolf Harris and includes a spoken and musical rendition of Waltzing Matilda.

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Performance History

Carriageworks, Sydney
8-25 October, 2008

QPAC, Brisbane
5-15 November, 2008

Newcastle Civic Theatre
21-22 August, 2009

Playhouse, Canberra Theatre Centre 
2-5 September, 2009

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Creatives

Choreography & Direction
Aszure Barton

Collaborative Assistant
Ian Robinson

Set Design
Gerard Manion

Costume Design
Michelle Jank

Lighting Design
Trudy Dalgleish

Musical Arrangement
Aszure Barton

Sound Design
George Gorga

Cast
Bradley Chatfield, Chylie Cooper, Emmie Dillon, Connor Dowling, Annabel Knight, Johanna Lee, Teagan Lowe, Reed Luplau, Rani Luther, Veronica Mahon, Ian Robinson, Simon Turner, Kalman Warhaft, Chen Wen, Jason Wilcock, Angus Woodyard

+

Media

“As one would expect from a company of the stature of SDC the piece is strong and intriguing, flows beautifully and is, quite simply breathtaking.” – ABC Brisbane 

“Barton is clearly brilliant.” – San Francisco Chronicle

“I thought that the audience was going to explode from their seats. Aszure Barton where have you been? The art of choreography needs you.” – Village Voice

“Aszure Barton’s work is something else entirely: a rare instance of dance that feels as if it were plucked straight from the choreographer’s extremely specific imagination and set, full-grown, onstage.” – The New York Times

“Barton creates moments of genuine emotional resonance. To say that she is worth watching would be something of an understatement.” – VoiceofDance.com

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